Longform
Ofcom, DCMS and the future of Public Service Broadcasting
Longform
Protecting the Role of the Director — an anonymous case study
Longform
Thea Sharrock on Wicked Little Letters: “Directing a movie is a bit like having an army behind you”
Longform
100% Faithful: Directing The Traitors
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“The job of the director is to tell the best story possible” — James Strong on Mr Bates vs. The Post Office
Everything Else
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“I am a very open book”: Paul Andrew Williams opens up about directing and mental health
Longform
Storytelling for Directors by Bren Simson: read an extract from the new book
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Directing under lockdown: how we made Old, Alone and Stuck at Home and Grayson’s Art Club
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Suri Krishnamma’s Review of Books on Practical Directing: Part 5 — Directing: Film Techniques and Aesthetics by Michael Rabiger & Mick Hurbris-Cherrier
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The Deep Clean diary returns — Shooting stars, jumping maggots and online buzz: from shoot to release
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Creativity in continuing drama: a director’s commentary
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How I went from directing “the vilest film ever seen” to adapting Jane Austen