Longform
‘I wanted the visual language to convey the emotional states of the characters’: Myriam Raja on Top Boy
Longform
Protecting the Role of the Director — an anonymous case study
Longform
Thea Sharrock on Wicked Little Letters: “Directing a movie is a bit like having an army behind you”
Longform
100% Faithful: Directing The Traitors
Longform
“The job of the director is to tell the best story possible” — James Strong on Mr Bates vs. The Post Office
Everything Else
Longform
“It felt like a family reunion”: Philip Barantini and Boiling Point
Longform
“Playfulness is a very important part of filmmaking”: An interview with Heartstopper director Euros Lyn
Longform
“It felt like such a heart-breaking and extraordinary story”: Saul Dibb on directing BBC One’s The Sixth Commandment
Longform
“You don't need to be a filmmaker to relate to Kwabena's struggles”: Joelle Mae David and directing on Dreaming Whilst Black
Longform
Directing Eurovision: A Roundtable with Nikki Parsons, Ollie Bartlett, and Richard Valentine
Longform
“It allowed me to play in all of the worlds I love”: Jennifer Sheridan on directing the second block of Extraordinary
Longform
Photo Booth: Developing a Film