Published on: 07 October 2024 in Industry

Directors Digest — Friday 11 October 2024

Reading time: 3 minutes and 7 seconds

In the news this week, Channel 4 posted its biggest deficit ever last year, Independent Film Tax Credit given green light by Labour, and Director Nora Fiffer shares how she prioritised a family friendly set for her debut feature.

Read all about it in this week’s Digest.


News

•   Channel 4 posted its biggest deficit of all time last year, with content boss Ian Katz deciding to reject his bonus. (Deadline)

•   The UK’s Labour government has given the go-ahead to the eagerly anticipated Independent Film Tax Credit (IFTC). (Televisual)

•  The industry reacts to Labour’s Employment Rights Bill, announced this week. (Screen)

•  The UK Creative Industries Independent Standards Authority (CIISA) has formed its first board, ahead of the launch of its standards framework in early 2025. (Deadline)

•  Deputy Prime Minister Angela Rayner has called for the reconsideration of a planning application for a proposed £750m development at Marlow Film Studios, previously turned down by Buckinghamshire council. (Guardian)

•  BBC3 is inviting West Midlands-based indies to pitch ideas for a current affairs documentary as the first opportunity to arise from the West Midlands IP Fund. (Broadcast)

Features

•  Director Nora Fiffer on how she prioritised a family friendly set for her debut feature film Another Happy Day. Setting a brilliant example by keeping 9-5 shoot days and having childcare available — all on a tight budget. (Variety)

Opinion

•   Channel 4 chiefs should not be taking bonuses while indies try to survive, opinion piece by Nils Pratley. (Guardian)

Director Interviews

•  Director Marielle Heller speaks to IndieWire on Nightbitch, and what went into adapting Rachel Yoder’s novel of domestic discord. (IndieWire) Maielle will be joining us for a special screening of Nightbitch followed by a conversation about her craft, book your tickets here.

•  Director Steve McQueen appeared at a screen talk during London Film Festival, sharing “A director is not about being an arsehole.” (Screen) 

Cookies help us deliver our services. By using our services, you agree to our use of cookies. Learn more