Biography

Hannah is a film & TV director, currently directing BOY a 4 part drama set in Morocco and Dublin for RTÉ.

She won the 2022 IFTA drama director award for her episodes on Vikings:Valhalla.

Hannah previously directed The Gone (RTE),

Vikings:Valhalla Seasons 1&3 (Netflix),  

North Sea Connection (RTE),  

Disenchanted-2nd Unit (Disney), 

Fate – The Winx Saga (Netflix),

The Stranger (Netflix),  

Blood (VMTV),  

Eastenders (BBC1),

Red Rock (VMTV) and award winning short films Smithy & Dickie and My Bonnie. 

Before directing, Hannah worked as an Assistant Director and she is also a pilot.



   

 

Credits

Gone, The 3 episodes View
Series   Role Year
Series 1, Episode 4   Director 2022
Series 1, Episode 5   Director 2022
Series 1, Episode 6   Director 2022
North Sea Connection 3 episodes View
Series   Role Year
Series 1, Episode 4   Director 2021
Series 1, Episode 5   Director 2021
Series 1, Episode 6   Director 2021
Vikings: Valhalla 2 episodes View
Series   Role Year
Series 1, Episode 5   Director 2020
Series 1, Episode 6   Director 2020
Fate: The Winx Saga 2 episodes View
Series   Role Year
Series 1, Episode 3   Director 2019
Series 1, Episode 4   Director 2019
Eastenders 4 episodes View
Series   Role Year
Episode 5878   Director 2019
Episode 5879   Director 2019
Episode 5880   Director 2019
Episode 5881   Director 2019
Stranger, The 3 episodes View
Series   Role Year
Series 1, Episode 4   Director 2018
Series 1, Episode 5   Director 2020
Series 1, Episode 6   Director 2020
Blood 3 episodes View
Series   Role Year
Series 1, Episode 4   Director 2018
Series 1, Episode 6   Director 2018
Series 1, Episode 5   Director 2018
Red Rock 2 episodes View
Series   Role Year
Series 3, Episode 21   Director 2017
Series 3, Episode 22   Director 2017

Other Credits

My Bonnie Short Film View
Description Year
Two people at sea, trapped between a rock and a hard place, must face the distance between them 2015
Smithy & Dickie Short Documentary View
Description Year
‘Smithy & Dickie' celebrates old love letters, while questioning how the current digital age is potentially obliterating any record of our most precious moments. 2017

Awards

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