| Why poverty?: the great land rush |
CLIPS / INSERT |
View |
| Description |
Year |
|
ANIMATIONS / CARTOON
|
2012
|
|
| The market maker |
SINGLE FILM |
View |
| Description |
Year |
|
DOCUMENTARY / NATURAL HISTORY
|
2009
|
|
| A normal life |
SINGLE FILM |
View |
| Description |
Year |
|
DOCUMENTARY / NATURAL HISTORY
|
2003
|
|
| Mtv high school stories |
CLIPS / INSERT |
View |
| Description |
Year |
|
FACTUAL ENTERTAINMENT / REALITY
|
2005
|
|
| Eone: miles español |
CLIPS / INSERT |
View |
| Description |
Year |
|
ANIMATIONS / CARTOON
|
2010
|
|
| Unknown Male Number 1 |
Documentary Series (4x45mins) |
View |
| Description |
Year |
|
“Unknown Male Number 1” (“Ignoto 1”) tells the story of the most high profile and unbelievable murder investigation in recent Italian history, resulting from the tragic and brutal slaying of 13-year old Yara Gambiarasio near her home in northern Italy in 2010. Recounted through the intimate testimony of the tenacious and emotionally-invested lead prosecutor, Letizia Ruggeri, the series gives audiences unfettered access to one of the most complicated forensic investigations ever undertaken, anywhere. And, following the 2014 arrest of a local builder, Massimo Bossetti, for Yara’s murder, the series follows his defence through a year-long trial, embedding with his lawyers and asking whether the central DNA evidence really stands up to scrutiny. With a sensitive and cinematic approach to its subject matter, “Unknown Male Number 1” is both a thrilling account of a remarkable criminal investigation and a tender portrait of life, death and justice in present day Italy. Not to be missed / Pick of the Day – Evening Standard, Independent and Guardian (UK) (Broadcast on BBC Storyville as "Muder In Italy" 1x90mins)
|
2017
|
|
| The Jazz Ambassadors |
Single Music Documentary |
View |
| Description |
Year |
|
An Antelope South, Normal Life Pictures film, for THIRTEEN/WENT (PBS, USA), BBC and ZDF, in collaboration with ARTE
The Cold War and Civil Rights collide in this remarkable story of music, diplomacy and race. Beginning in 1955, when America asked its greatest jazz artists to travel the world as cultural ambassadors, Louis Armstrong, Dizzy Gillespie, Duke Ellington and their mixed-race band members, faced a painful dilemma: how could they represent a country that still practiced Jim Crow segregation?
|
2018
|
|
