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David Street: shooting cycling legend Graeme Obree and the Beastie
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Protecting the Role of the Director — an anonymous case study
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Thea Sharrock on Wicked Little Letters: “Directing a movie is a bit like having an army behind you”
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100% Faithful: Directing The Traitors
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“The job of the director is to tell the best story possible” — James Strong on Mr Bates vs. The Post Office
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David Street: shooting cycling legend Graeme Obree and the Beastie
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James Kent on making the move from documentary to drama
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UK vs USA
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Best Newcomer: what does it actually mean for your career?
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10 things an interactive film director needs to be able to do (that a linear director doesn't)
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Entering competitions? Read the small print!
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#HEARoes: what’s your origin story?
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Directors UK report from Creative Week