Longform
Director Charlotte Mikkelborg on immersive filmmaking and shooting the Apple TV+ Adventure series
Longform
“In my approach to directing, I try to make everything feel alive.” — Haolu Wang on directing Black Mirror: Hotel Reverie
Longform
“Everyone had each other’s backs” — An interview with Adolescence director Philip Barantini
Longform
Jan Genesis on Multi-Camera Directing: “It’s like you're the captain of the ship”.
Longform
Protecting the Role of the Director — an anonymous case study
Everything Else
Longform
Thea Sharrock on Wicked Little Letters: “Directing a movie is a bit like having an army behind you”
Longform
100% Faithful: Directing The Traitors
Longform
“The job of the director is to tell the best story possible” — James Strong on Mr Bates vs. The Post Office
Longform
‘I wanted the visual language to convey the emotional states of the characters’: Myriam Raja on Top Boy
Longform
“It felt like a family reunion”: Philip Barantini and Boiling Point
Longform
“Playfulness is a very important part of filmmaking”: An interview with Heartstopper director Euros Lyn
Longform
“It felt like such a heart-breaking and extraordinary story”: Saul Dibb on directing BBC One’s The Sixth Commandment