One of you, many of us.
TV Fiction Committee

The current Chair of the Directors UK TV Fiction Committee is Bill Anderson (Doctor Who, Mr Selfridge, The Mill).

The full TV Fiction Committee is made up of the following members:

Otto Bathurst (Robin Hood, Peaky Blinders, Black Mirror)
Audrey Cooke (EastEnders, Coronation Street, In the Club)
David Drury (Silent Witness, Lewis, The Paradise)
Christiana Ebohon-Green (Father Brown, Doctors, Emmerdale)
David Evans (Preacher, Anne with an E, I’m Dying Up Here)
Matthew Evans (Holby City, Casualty, Wolfblood)
Tim Fywell (Our Girl, Grantchester, River)
Samantha Harrie (Holby City, Doctors, Coming Up)
James Hawes (Black Mirror, Genius, Undercover)
Jessica Hobbs (Apple Tree Yard, Broadchurch, River)
Julian Holmes (Class, Beowulf: Return to the Shieldlands, Strike Back)
Jon Jones (Still Star-Crossed, Heroes Reborn, The Great Fire)
Karen Kelly (Hollyoaks, Doctors, River City)
Suri Krishnamma (Coronation Street, Dark Tourist, Bad Karma)
James Larkin (Casualty, Call the Midwife, Father Brown, Doctors)
Philippa Lowthorpe (Three Girls, Cider with Rosie, Jamaica Inn)
Darcia Martin (Call the Midwife, Hollyoaks Later, Judge John Deed)
Lynsey Miller (Casualty, River City, Eve)
Robbie Moffat (Heckle, Third Falcon, I Know What I’m Doing)
Diana Patrick (Father Brown, Emmerdale, Coronation Street)
Nic Phillips (EastEnders, My Family, Casualty)
Rick Platt (Holby City, EastEnders, Casualty)
Udayan Prasad (The Tunnel, The Musketeers, Silent Witness)
Zam Salim (The Break, M.I. High, River City)
Geoffrey Sax (Victoria, Agatha Raisin, Endeavour)
Jon Sen (Casualty, Holby City, Waterloo Road)
Paul Unwin (Casualty, Breathless, Shameless)
Gill Wilkinson (Coronation Street, EastEnders, Hollyoaks)
Dan Zeff (Siblings, Inside No. 9, The Collection)

Download a PDF featuring short biographies and photos of all the committee members.

The TV Fiction Committee is currently looking at a number of issues affecting drama directors, such as pay and creative conditions, the impact of late scripts on productions and the opportunity for directors to improve the quality and efficiency of that production, and exploring the increasing use of “back of head” ADR as a script solution and its effectiveness with audiences.

If you have any insights on these or any other issues you feel the TV Fiction Committee should be addressing then please don’t hesitate to get in touch via

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